DR2 REFERENCES
Aaker, D.A., 2010. Building strong brands, Paperback ed. ed. Pocket Books, London.
Adamson, G., 2013. The invention of craft. Bloomsbury, London.
Adamson, G. (Ed.), 2010. The craft reader, English ed. ed. Berg Publishers, Oxford ; New York.
Ammar, F., 2017. The growth factors of Tunisian handicraft small and medium-sized enterprises (SMEs): Towards an integration of cognitive approaches. International Journal of Technology Management & Sustainable Development 16, 229–248. https://doi.org/10.1386/tmsd.16.3.229_1
Anisef, J., 2010. TRACING EMERGING MODES OF PRACTICE: CRAFT SECTOR REVIEW. the Ontario Arts Council 43.
Arnheim, R., 1994. The Way of the Crafts. Design Issues 10, 29. https://doi.org/10.2307/1511652
Arnheim, R., 1964. From Function to Expression. The Journal of Aesthetics and Art Criticism 23, 29. https://doi.org/10.2307/428136
Aveyard, H., 2014. Doing a literature review in health and social care: a practical guide, Third edition. ed. McGraw-Hill Education, Open University Press, Maidenhead.
Bakhshi, H., Cunningham, S., n.d. CULTURAL POLICY IN THE TIME OF THE CREATIVE INDUSTRIES 13.
Bell, J., Waters, S., 2014. Doing your research project: a guide for first-time researchers, 6th edition. ed. Open Univ. Press/McGraw-Hill Education, Maidenhead.
Bennett, J., 2015. Crafts Council Research Strategy 2015-2018 (Executive Summary). Crafts Council.
Birmingham City University, Patel, K., 2017. Expertise and Collaboration: Cultural Workers’ Performance on Social Media, in: Middlesex University, Graham, J., Gandini, A., King’s College London (Eds.), Collaborative Production in the Creative Industries. University of Westminster Press, pp. 157–176. https://doi.org/10.16997/book4.i
Booth, A., Sutton, A., Papaioannou, D., 2016. Systematic approaches to a successful literature review, Second edition. ed. Sage, Los Angeles.
Boult, J., 2017. Branding Strategy.
British Council, n.d. Go make something! The growth of the Maker Movement [WWW Document]. British Council | Creative Economy. URL /guide/go-make-something-growth-maker-movement/ (accessed 4.30.18).
Brown, D.J., n.d. Making It Local: what does this mean in the context of contemporary craft? 28.
Brown, J., 2014. Making It Local: what does this mean in the context of contemporary craft? Craft Council.
Burns, D., 2016. Is China’s Everything App the future of mobile? [WWW Document]. Media Decoded. URL https://mediadecoded.com/is-chinas-everything-app-the-future-of-mobile-ae5381e3f95e (accessed 5.20.18).
Burns, J., Gibbon, C., Rosemberg, C., 2012. Craft in an Age of Change. Crafts Council, UK.
Campbell, C., 2005. The Craft Consumer: Culture, craft and consumption in a postmodern society. Journal of Consumer Culture 5, 23–42. https://doi.org/10.1177/1469540505049843
Campbell, C.W., n.d. The Experiential Art and Crafts Preferences of Senior Adults: A Preparatory Assessment for the Implementation of the Project Senior Art Model. 53.
CHUDASRI, D., WALKER, S., EVANS, M., 2012. An Overview of the Issues facing the Craft Industry and the Potential for Design, with a Case Study in Upper Northern Thailand 13.
CIC, 2018. Craft [WWW Document]. The Creative Industry. URL http://www.thecreativeindustries.co.uk/industries/craft (accessed 5.8.18).
Clark, K.A., Smith, R.A., Yamazaki, K., 2010. Experience Design that Drives Consideration. Design Management Review 17, 47–54. https://doi.org/10.1111/j.1948-7169.2006.tb00029.x
Contemporary Crafts Resource List.pdf, n.d.
Crafts Council, 2018. Supporting Makers To Export: Survey Findings. Craft Council.
Crafts Council, 2017. Crafting Professionals: Identity, Entrepreneurship and Higher Education. Lauren Englsh, King’s College London.
Crafts Council, 2014. Our future is in the making. Crafts Council.
Crossick, G., Kaszynska, P., n.d. Understanding the value of arts & culture | The AHRC Cultural Value Project 204.
Crow, D., 2008. Magic box: craft and the computer. Eye 18.
David Lester, 2013. Measuring Maslow’s Hierarchy of Needs. Psychol Rep 113, 15–17. https://doi.org/10.2466/02.20.PR0.113x16z1
D’Esopo, M., Diaz, F., 2009. Mapping the Customer’s Experience Through Brand Design. Design Management Review 20, 38–47. https://doi.org/10.1111/j.1948-7169.2010.00035.x
Embracing Traditional Craft In Daily Life, 2018. . China Daily.
Filho, E.R., 2013. Design and Craftsmanship: The Brazilian Experience. Design Issues 29, 64–74. https://doi.org/10.1162/DESI_a_00221
Fuchs, C., Schreier, M., van Osselaer, S.M.J., 2015. The Handmade Effect: What’s Love Got to Do with It? Journal of Marketing 79, 98–110. https://doi.org/10.1509/jm.14.0018
Full, W., 2015. Researching Craft: An analysis of reseach excellent framework impact case studies relevant to craft. Crafts Council, London.
Gad, T., 2016. Customer Experience Branding: Driving Engagement Through Surprise and Innovation. Kogan Page, London, UNKNOWN.
Gad, T., 2001. 4-D branding: cracking the corporate code of the network economy. London [u.a.] Financial Times, Prentice Hall.
Gandini, A., 2016. Digital work: Self-branding and social capital in the freelance knowledge economy. Marketing Theory 16, 123–141. https://doi.org/10.1177/1470593115607942
Gowlland, G., 2012. Learning Craft Skills in China: Apprenticeship and Social Capital in an Artisan Community of Practice: Learning Craft Skills in China. Anthropology & Education Quarterly 43, 358–371. https://doi.org/10.1111/j.1548-1492.2012.01190.x
Gowlland, G., 2009. Learning to See Value: Exchange and the Politics of Vision in a Chinese Craft. Ethnos 74, 229–250. https://doi.org/10.1080/00141840902940484
HARE, S., RI, O.F.M., n.d. A GLOBAL MARKET THAT FAVOURS FLEXIBLE AND PLASTIC MATERIALS 16.
Hocevar, D., 1979. The Development of the Creative Behavior Inventory (CBI).
Hogg, S., 2018. Strategy in the wild.
Holland, R., 2014. Managing strategic design. Palgrave, London ; New York, NY.
Holmes, H., 2015. Transient craft: reclaiming the contemporary craft worker. Work, Employment and Society 29, 479–495. https://doi.org/10.1177/0950017014535834
Hung, K.-C., Ho, M.-C., 2017. Communication in craft experience design. IEEE, pp. 361–364. https://doi.org/10.1109/ICASI.2017.7988427
Hunt, W., Ball, L., Pollard, E., n.d. Crafting Futures 108.
Ings, W., 2015. Malleable Thought: The Role of Craft Thinking in Practice‐Led Graphic Design. International Journal of Art & Design Education 34, 180–191. https://doi.org/10.1111/jade.12013
Kahneman, D., 2011. Thinking, fast and slow. Lane, London.
Kaira, A., 2015. Brand Strategy: Company X. Saimaa University of Applied Sciences.
Keane, M., Chen, Y., 2017. Entrepreneurial solutionism, characteristic cultural industries and the Chinese dream. International Journal of Cultural Policy 1–13. https://doi.org/10.1080/10286632.2017.1374382
Ken Botnick, Ira Raja, 2011. Subtle Technology: The Design Innovation of Indian Artisanship. Design Issues 27, 43–55.
Kim, H.Y., Kwon, Y.J., 2017. Blurring production-consumption boundaries: Making my own luxury bag. Journal of Business Research 74, 120–125. https://doi.org/10.1016/j.jbusres.2016.10.022
Klaus Schwab, 2016. The Fourth Industrial Revolution: what it means and how to respond [WWW Document]. World Economic Forum. URL https://www.weforum.org/agenda/2016/01/the-fourth-industrial-revolution-what-it-means-and-how-to-respond/ (accessed 4.30.18).
Kleppinger, C.A., Cain, J., 2015. Personal Digital Branding as a Professional Asset in the Digital Age. American Journal of Pharmaceutical Education 79, 79. https://doi.org/10.5688/ajpe79679
Knight, J., 2010. Evoking Brand Values with Design. Design Management Review 17, 73–80. https://doi.org/10.1111/j.1948-7169.2006.tb00042.x
Korzeniowski, P., 2015. Design’s Critical Role in Customer Engagements. CRM Magazine 19, 38–41.
Ku, H.B., Ip, D., 2011. Designing development: a case study of community economy in Pingzhai, Yunnan Province, in PRC. China Journal of Social Work 4, 235–253. https://doi.org/10.1080/17525098.2011.614394
Lafley, A.G., Martin, R.L., 2013. Playing to win: how strategy really works. Harvard Business Review Press, Boston, Massachusetts.
Lauren Weinberg, 2007. Massive Change: The Future of Global Design. Design Issues 23, 86–92.
Margetts, M., 2017. Makers: The New Industrial Revolution; The New Industrial Revolution; Consumers, Globalisation and the End of Mass Production. The Journal of Modern Craft 10, 107–109. https://doi.org/10.1080/17496772.2017.1294322
Maynes, J., Rawson, A., n.d. Linking the customer experience to value | McKinsey & Company [WWW Document]. URL https://www.mckinsey.com/business-functions/marketing-and-sales/our-insights/linking-the-customer-experience-to-value (accessed 5.5.18).
McIntyre, M.H., n.d. the contemporary craft market in a changing economy 56.
Meyer, C., Schwager, A., 2007. Understanding Customer Experience [WWW Document]. Harvard Business Review. URL https://hbr.org/2007/02/understanding-customer-experience (accessed 5.5.18).
Milliken, J., 2018. META: A Better Brand-Building Model For China | Prophet Thinking. Brand and Marketing Consultancy | Prophet.
Mintzberg, H., Ahlstrand, B.W., Lampel, J., 2009. Strategy safari: the complete guide through the wilds of strategic management, 2nd ed. ed. FT Prentice Hall, Harlow, UK.
Moore, T., Folkerson, M., 2015. Industrial Evolution-Making British Manufacturing Sustainable.
Morris Hargreaves McIntyre, 2010. Consuming Craft: the contemporary craft market in a changing economy. Crafts Council, London.
National Endowment for Science, T. and the A. (Great B., 2014. DIY - development impact & you: practical tools to trigger & support social innovation.
Neumeier, M., 2007. Zag: the number-one strategy of high-performance brands: a whiteboard overview. AIGA : New Riders, Berkeley, Calif.
Neumeier, M., 2006a. The brand gap: how to bridge the distance between business strategy and design: a whiteboard overview, Rev. ed. ed. New Riders, Berkekley, CA.
Neumeier, M., 2006b. The brand gap: how to bridge the distance between business strategy and design: a whiteboard overview, Rev. ed. ed. New Riders, Berkekley, CA.
Niedderer, K., Imani, Y., Overton, M.G., 2011. Craft as a tool for multidisciplinary collaboration and design practice. Presented at the 1st Cambridge Academic Design Management Conference.
Niedderer, K., Townsend, K., 2010. Craft research: Joining emotion and knowledge. Design and Emotion 2010 (Proceedings), Chicago, USA: IIT 5–7.
Nike, n.d. Nike. Just Do It [WWW Document]. URL https://www.nike.com/gb/en_gb/c (accessed 4.29.18).
Norman, I.E., 2016. Leather Craft Manual. Read Books Ltd.
Norton, D.W., 2010. Will Meaningful Brand Experiences Disrupt Your Market? Design Management Review 16, 18–24. https://doi.org/10.1111/j.1948-7169.2005.tb00013.x
NPTA, 2017. National Paper Trade Association (Economic Report).
Passport, 2017. Arts and Crafts in China-Context (Datagraphics).
Perzinger, T.J., 2000. So Long, Supply and Demand:There’s a new economy out there – and it looks nothing like the old one. Wall Street Journel.
PEST Analysis: Identifying Big Picture Opportunities and Threats [WWW Document], n.d. URL http://www.mindtools.com/pages/article/newTMC_09.htm (accessed 3.24.18).
Pöllänen, S., 2015. Elements of Crafts that Enhance Well-Being: Textile Craft Makers’ Descriptions of Their Leisure Activity. Journal of Leisure Research 47, 58–78. https://doi.org/10.1080/00222216.2015.11950351
Poonam Bir Kasturi, 2005. Designing Freedom. Design Issues 21.
Porritt, J., n.d. There aren’t many industries around that can aspire to becoming genuinely sustainable. The paper industry, however, is one of them; it is inherently sustainable. 26.
Prior, R.W., 2013. Knowing what is known: Accessing craft-based meanings in research by artists. Journal of Applied Arts & Health 4, 57–65. https://doi.org/10.1386/jaah.4.1.57_1
Rahman, N.A.A., Ramli, A., 2016. Entrepreneurial Orientation, Strategic Management Accounting Practices, Innovation, and Firm Performance: Craft Industry Perspective, in: Mohd Sidek, N.Z., Ali, S.M., Ismail, M. (Eds.), Proceedings of the ASEAN Entrepreneurship Conference 2014. Springer Singapore, Singapore, pp. 179–191. https://doi.org/10.1007/978-981-10-0036-2_17
Risatti, H., 2009. Book ReviewsSandra Alfoldy, ed. NeoCraft: Modernity and the Crafts . Halifax: Press of the Nova Scotia College of Art and Design, 2007. 73 pp.; 65 black‐and‐white illustrations, index. $39.95. Winterthur Portfolio 43, 143–144. https://doi.org/10.1086/597334
Risatti, H., 2007. A theory of craft function and aesthetic expression. University of North Carolina Press, Chapel Hill.
SAP, 2017. Industry 4.0: What’s Next An SAP Point of View (SAP White Paper No. 49713enUS (17/05)), Industry 4.0.
Schwab, P.K., 2016. The Fourth Industrial Revolution. The Fourth Industrial Revolution, New York.
Schwarz, M., Yair, D.K., n.d. craft & the economic and social contribution of makers 122.
Simon Clatworthy, 2012. Bridging the gap between brand strategy and customer experience. Managing Service Quality 22, 108–127. https://doi.org/10.1108/09604521211218936
TBR, 2011. Studying Craft2: Update On Trends In Craft Education And Training. Crafts Council.
The State Council, 2018. The State Council of the People’s Republic of China [WWW Document]. URL http://english.gov.cn/ (accessed 5.16.18).
TOPLINK, n.d. Retail, Consumer Goods and Lifestyle | Explore | TOPLINK [WWW Document]. URL https://toplink.weforum.org/knowledge/insight/a1Gb0000000pTDhEAM/explore/dimension/a1Gb0000004cCFlEAM/summary (accessed 4.30.18).
Trading, H., 2018. Foshan Master Toys Co Lt… 3.
Tsaknaki, V., Fernaeus, Y., Schaub, M., 2014. Leather as a material for crafting interactive and physical artifacts, in: Proceedings of the 2014 Conference on Designing Interactive Systems. ACM, Vancouver, BC, Canada, pp. 5–14.
UNESCO Institute for Statistics, 2016. The Globalisation of Cultural Trade: A Shift in Consumption. International flows of cultural goods and services 2004-2013. UNESCO Institute for Statistics. https://doi.org/10.15220/978-92-9189-185-6-en
USAID, 2006. GLOBAL MARKET ASSESSMENT FOR HANDICRAFTS (No. 1). US.
Valentine, L., 2011. Craft as a Form of Mindful Inquiry. The Design Journal 14, 283–306. https://doi.org/10.2752/175630611X13046972590806
Venkataramanaiah, S., Kumar, N.G., 2011. Building Competitiveness: A Case of Handicrafts Manufacturing Cluster Units 3, 11.
Warburton, A., 2016. Innovation through craft: Opportunities for growth 49.
WEF, 2018. Future of Consumption in Fast-Growth Consumer Markets: China (Insight Report). The world Economic Forum.
Wiesmann, U.N., DiDonato, S., Herschkowitz, N.N., 1975. Effect of chloroquine on cultured fibroblasts: release of lysosomal hydrolases and inhibition of their uptake. Biochem. Biophys. Res. Commun. 66, 1338–1343.
Xing, L., 2012. The core values of Chinese contemporary crafts (Ph.D. Thesis). Chinese National Academy of Arts, Beijinf.
Yair, K., 2011a. Craft and Wellbeing. Crafts Council.
Yair, K., 2011b. How makers and craft organisations are using social media effectively. Crafts Council, London.
Yair, K., 2011c. Craft & the Digital World. Crafts Council.
Yassir M. Mahgoub Khalid M. Alsoud, 2015. The Impact of Handicrafts on the Promotion of Cultural and Economic Development for Students of Art Education in Higher Education. Journal of Literature and Art Studies 5. https://doi.org/10.17265/2159-5836/2015.06.012
Zhan, X., Walker, S., Hernandez-Pardo, R., Evans, M., 2017. Craft and Sustainability: Potential for Design Intervention in Crafts in the Yangtze River Delta, China. The Design Journal 20, S2919–S2934. https://doi.org/10.1080/14606925.2017.1352802
